The Man in the Red Flannel Shirt

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Who doesn’t love a picture of a miner, a gold prospector, a forty-niner? Here he is, on the cover of the Wasp for October 17, 1891, in his red flannel shirt, blue Levis, tall brown boots, and broad-brimmed hat. Those clothes, together with a beard, was how you knew the cartoon was depicting a miner. Plus he always had a shovel and/or a pickax. Probably a gold pan too.

Why is he perplexed? I’ll get to that in a moment. For now, let’s look at a few more images:

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Courtesy of the Oakland Museum of California

The “Lone Prospector” by Alburtus Del Orient Browere (what a name!), painted in 1853. Shovel? Check. Pickax? Check. Gold pan, pistol, mule? Check, check, check.

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An advertisement for Coats thread, excellent for mending those blue jeans.

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The cover sheet of a special supplement to the San Francisco Call, celebrating the 50th anniversary of the discovery of gold at Sutter’s Mill. A forty-niner for sure, with his red flannel shirt.

And why is that first miner perplexed? It’s a matter of hydraulic mining versus farming. The Wasp was fully in support of hydraulic mining, which brought money into San Francisco, while the farmers in the valley strongly opposed it, on account of the massive amounts of “slickens” (silt and debris) that washed down onto the valley farms.

A little bit more about hydraulic mining next time. For now, just enjoy the sight of a handsome young miner in his red flannel shirt.

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Courtesy of the California State Library

 

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Bidwell and the Bear Flag

 

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Not the way it happened according to John Bidwell

What did John Bidwell think of the Bear Flag Revolt and the famous Bear Flag raised at Sonoma? Not much, if you asked him, and more than one person did ask.

He mentions it briefly in “Fremont in the Conquest of California,” published in the Century Magazine in February 1891. Another version appeared shortly thereafter in the big midsummer edition (4 July 1891) of the popular San Francisco magazine The Wasp. His account from the Century is well known — it appears in Echoes of the Past and online at The Museum of the City of San Francisco.  The version he told the Wasp is fuller, but less well known.

With regard to the bear flag incident, which has been so much heralded in romance and history, there was no further basis than a spirit of amusement among a few of the men. In the plaza in front of the residence of Gen. Vallejo, in Sonoma, stood a flag-staff which that gentleman had used when he was Military Commander of California, previous to the time of Castro. The Mexican flag had not floated on it for several years or since the retirement of Vallejo from office. When Fremont’s vanguard of mountaineers took possession of Sonoma, after sending Gen. Vallejo and other as prisoners to Sutter’s Fort, it was suggested that some kind of a flag be made and put on the deserted pole. Some one suggested that the new flag should represent a bear rampant, with lifted paw in the act of crushing a coyote, but that was too much for the artistic ability of any one present, so the plan was simplified to a plain bear. This was simply for amusement and without any idea of selecting the emblem of an independent movement against the Mexican authorities.

One of the men was William Todd (since the war of the Rebellion I met Mr. Todd and learned from him that he was a nephew of Mrs. Abraham Lincoln, and brought up in Abraham’s family), who found a small quantity of old reddish paint and with it attempted to make, on a piece of common brown cloth, the representation of a bear, and the same was run up on the flag-pole. The whole affair was ludicrous. Only a few men – two or three – possibly four or five at most – had anything to do with it, and certainly no officer or prominent men took any part. Mexicans looking at the flag were heard to say “coche,” a localism for pig or small hog. The flag was flying when Fremont was in Sonoma, but I doubt he ever noticed it or knew it was there, and this is all there was at the time to the bear flag incident, but it seemed to lend itself readily to romance, and in a short time was distorted and misrepresented until the story went out to the world that an independent movement on foot in California had formally adopted this flag as a standard.

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Grizzly bear or pig — you decide.

So it was all just a lark. Making up a flag while waiting for the real war to happen. Or so John Bidwell says. He didn’t get to Sonoma until a few days after the Bear Flag had been run up the flagpole.

John Bidwell never saw the California state flag as we know it today. California didn’t have a state flag until 1911. (There is an excellent history of the Bear Flag at the virtual Bear Flag Museum.) The 1846 Bear Flag was the inspiration for the flag we know and love today, and I think John Bidwell would have liked the way it turned out.

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How to Write a Constitution, According to the Wasp

More cartoons!

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The Wasp, 20 July 1889

1889 was the year that North Dakota, South Dakota, Washington, and Montana all were admitted to the Union. And here we have those four fair ladies, sitting down to write their state constitutions. Columbia, on the right, is saying, “My daughters, let your charters be as free from jobs and crank notions as mine is.”

And what were those crank notions that beset the political mind in 1889? Behind the ladies, left to right, are a demagogue, a corporation lawyer, a proponent of women’s suffrage, a “boodling” politician, a prohibitionist, and a civil service reformer (in a red shirt). Is the civil service reformer meant to look innocent or devious? I’m not sure.

“Boodle,” in the political jargon of the day, was money gotten from bribes and graft.

A closer look:

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Not a fan of “Votes for Women,” were they?

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ColumbiaStahrArtworkColumbia is wearing a Phrygian cap, or liberty cap, which dates back to ancient times and during the French Revolution became a symbol of liberty. Here’s a World War I poster showing Columbia with her American flag drapery and liberty cap.

Uncle Sam is still a common symbol of the USA, but we don’t see Columbia much anymore. Maybe it is time to bring back Columbia.

 

 

 

waspjulydec1889unse_0466Here’s a bonus Phrygian cap for you, from the December 28th, 1889 issue of the Wasp. “The Advance of Republicanism Startles the World.” Our goddess here is not Columbia (no stars and stripes), but Liberty or the ideal of a Republic. The startled nations are Austria, England (with Spain clutching her robe), bearded Russia, and on the battlement, Prussia.

 

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A Scandalous Saga of Cartoons

The Wasp delighted in lampooning the Sharon trial in cartoons. There were far more than it is worth showing here. So — one more cartoon, probably the last, showing what the principal players would look like if the trial dragged on for another 25 years, as it felt like it might.

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Poor old William Sharon and Sarah Althea Hill, who claimed to be his wife, are featured in the center. If Sharon had lived until 1910, he would have been 89 years old, a not impossible age, but in reality he died in 1885, at the age of 64, a year after this cartoon appeared. Althea, who did indeed love to deck herself in roses, lived until 1937 (!), unfortunately dying in the state asylum for the insane.

Surrounding the pair are their attorneys, with Judge Sullivan (who must have had a tendency to fall asleep on the bench) at the bottom.

The two figures who draw our eye are Ki, on the left, and Mrs. Plaisance, on the right. Artists in the Wasp drew minorities and people of color in the harshest style of caricature. Ki was Sharon’s Chinese manservant — there is no photograph of him that I know of, so I don’t know if he really wore a queue and a Fu Manchu mustache. That was just the way the artist would invariably indicate a man from China.

BTJPAM-715x899“Mrs. Plaisance” is Mary Ellen Pleasant, usually labeled Mammy Pleasant. She was a friend and supporter of Althea, a successful businesswoman, and a fascinating figure in her own right, who looked nothing like this cartoon.

Here is the only undisputed photograph of Mary Ellen Pleasant. This is how Sarah Althea Hill would have known her.

 

 

 

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Allie and Judge Sullivan

“The trial of Althea’s divorce suit began in March of 1884, without a jury, before Judge Jeremiah Sullivan of the superior court of San Francisco. It continued, off and on, until September. In court, Althea told her story with a goodly number of embellishments, many of them rather transparently false.” (Maccracken, Brooks W., “Althea and the Judges,” American Heritage, June 1967)

At the end of this months-long trial, once every argument, witness, and participant had been exhausted, Judge Sullivan gave his opinion that the marriage of William Sharon to Sarah Althea Hill was valid, based on the piece of paper Allie produced. He was reluctant to believe that lovely Althea, educated at a convent, could be a liar.

There were no witnesses to the contract. It was simply her word against his. How it could be a valid marriage when there were no witnesses, no ceremony, and no filing of a marriage certificate, was never addressed. Judge Sullivan opined that “mutual consent without any form of solemnization, followed by copulation, constitutes a valid marriage.” (quoted in The Wasp, 3 January 1885) Neither contestant denied the copulation part. The contract, however, was labeled a forgery by William Sharon, who said he was “too old a fish” to be caught like that.

Judge Sullivan granted Althea a divorce and $2,500 a month alimony. The Wasp caricatured Judge Sullivan as Santa Claus, stuffing Althea’s Christmas stocking with “Allie-money” . . .

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The Wasp, 3 January 1885

. . . And as a zookeeper in charge of a cage full of ravening creatures. “Sarah Althea” is the shrieking cat, and the two gorillas are her attorneys, G.W. Tyler and son. Senator Sharon is the baby being held by his attorney, Barnes.

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The Wasp Loved a Juicy Scandal

And there was none juicer in 1880s San Francisco than the case of Sharon v. Sharon, which pitted elderly millionaire William Sharon against his mistress/wife (take your pick) Sarah Althea Hill. I wrote about this Scandalous Saga last year and you can follow the whole story by clicking through to that post and subsequent posts. It is a story replete with civil suits ranging from divorce to libel to slander; criminal prosecutions from adultery to larceny to murder; allegations of forgery, blackmail, and voodoo, and pistols and knives drawn in the courtroom. It has it all!

At the time I found a couple of cartoons from the Wasp about the scandal and courtroom drama, but now I have a few more to show you.

After the court dismissed the suit against William Sharon for adultery on a technicality, Sarah Althea Hill promptly sued for divorce, claiming that they had a secret marriage. Hence we have this cartoon titled “Re-Opening the Ball.” Althea, decked out in extravagant fashion, is on the arm of wizened old ex-Senator Sharon (or he is on her arm).

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Judge Sullivan starts up the music, while the crowd of attorneys promenades in. The fat man with the spade beard and spectacles is David S. Terry, who will later marry Althea and come to a Very Bad End.

The bearded gentleman dressed up as a lady in yellow with a bright red fan is Althea’s attorney, George W. Tyler. He is also the central figure in the scene of courtroom mayhem below. As he questioned Mrs. Shawhan, and implied that she was less than respectable, she fingered a pistol in her pocket, and Tyler reached to draw his own pistol. Pandemonium ensued — you can read about it in the Pistols in the Courtroom post.

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Sacramento History Tours

The Sacramento History Museum has some fun and short video tours you can enjoy during this time of confinement. The museum is closed, and they probably don’t encourage you wandering around the streets of Old Sacramento, but there are still some fun things to do virtually.

Anytime Tours

Take a few minutes to take an Anytime Tour. They have Anytime Tours in Old Sacramento and Anytime Tours at the Old City Cemetery, presented by costumed guides. The stories about bold businesswomen of early Sacramento are a particular treat.

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The Pacific Tourist — 1881

Take a ride on the Union and Central Pacific Railroads!

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This series of guidebooks told you everything you needed to know as you rode the train across the continent, bound for California. Once you got to the Golden State, the book guided you on all the routes throughout the state, describing each station and town, and all the beauties and wonders to be seen along the way. It was lavishly illustrated with etchings of the scenic marvels of America.

Here is the page telling you what to expect as you journey northward on the Central Pacific Railroad through Chico and Red Bluff to its terminus at Redding. Gridley and Biggs are “both new and flourishing towns,” and Chico is “one of the best and most prosperous towns in California,” where you can see the beautiful home of General Bidwell, one of California’s “most enterprising citizens.”

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If your destination is anywhere else in Northern California not on the rail line, such as  Big Meadows, Cherokee Flat, or Orland, the guidebook tells you all about the connecting stagecoach lines. What a valuable book! Well worth the price of $1.50 for the railroad (paperback) edition, or $2.00 for the hardback edition.

Don’t leave home without it!

(My thanks to the California State Library, which pointed out that these books are available on the Internet Archive.)

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California Wants a Canal

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I like these cartoons that feature California as a goddess in all her glory, so here is another one. This one shows California looking peeved. What has her so exasperated?

The caption reads:

A YEAR OF PLENTY: California — What shall I do with this bounteous harvest of fruit and grain? My barns verily burst with plenty and my cup runs over. Would that the Nicaragua Canal were completed, and then I might find market for my surplus.

You might wonder about the idea of a canal through Nicaragua, but it was an idea afloat at the time.

There had been talk of a canal to link the Atlantic and Pacific Oceans during most of the 19th century. The French began a canal across the Isthmus of Panama in 1881, and after great expense of lives and capital, gave up the project in 1894 when it went bankrupt. This cartoon appeared in the Wasp in 1891, when U.S. interests were speculating about beating the French across by taking a different route.

Instead, the U.S. took over the French project in 1903, after promoting a revolution in Panama that brought about its separation from Colombia. The Panama Canal was completed in 1914.

waspjulydec1891unse_0260BCalifornia also had the transcontinental railroad as a means of getting her produce to eastern markets, but the railroad wasn’t enough. California was (and is) so bountiful that she needs a vast transportation web to distribute the fruit of her fields.

This cartoon was by Charles W. Saalburg. You can read about his career here.

 

 

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How The Wasp Saw Women

As much as I enjoy paging through the Wasp and looking at the cartoons, I have to acknowledge that it was a newspaper produced by men for men. Two cartoons from 1878 issues of the Wasp will give you a pretty good idea of how the editor and cartoonists (who were all men) saw women.

The problems of women’s fashions:

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Elaborate trains or “trails” stirred up dust, knocked aside small children, and created a public hazard to men crossing the street. Other than that, the Wasp liked to depict pretty women fashionably dressed. But they didn’t go along with the idea of giving women the vote. Shall women vote, they asked?

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“To be sure they shall, the little dears!” was the condescending opinion of the Wasp.

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Sigh. With that kind of attitude, it’s no wonder it took another 33 years for women to get the vote in California, and 40 years before they could vote in national elections.

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